But maybe, just maybe, next time consider a woman or two behind the camera (and script) as well. And, frankly, as long as this genre continues to entertain audiences, Garner is a compelling a lead as any, and more so than quite a few of the men who get so many parts like this. Peppermint, an action movie starring Jennifer Garner, John Gallagher, and John Ortiz is available to stream now.
"Peppermint" is not some model of equality, it's just violent escapism that happens to have a woman in the lead role. It's a movie that is really best seen with a big, rowdy crowd who will be there to laugh at all the bravado. And there are a few twists and turns (some eye-rolling, some not) as you wait for her inevitable showdown with Diego Garcia (Juan Pablo Raba). The funny thing about "Peppermint" is that even in spite of its ridiculousness and cliches and flashbacks filled with stock sounds of giggling children, the movie does start to lull you into submission when the revenge stops really start picking up. Her Terminator-like focus on her revenge path still allows her to violently scold a shoddy parent on a public bus. Also with John Gallagher Jr., John Ortiz, Juan Pablo Raba, Annie Ilonzeh, Jeff Hephner and Cailey Fleming. It's a bit of whiplash, her transition from Laura Ashley to Lara Croft, but you get used to the new Riley fairly quickly (and honestly there wasn't a lot of the old one to latch on to either).Īnd goodness, she is not kidding around with these murders, which are not only bloody and gruesome but psychotically theatrical. A woman (Jennifer Garner) is devastated by the murder of her husband and young daughter and takes justice into her own hands when the system that is supposed to serve victims fails her. The movie doesn't show much, if anything, of her training, which is summarized in exposition by an FBI agent (Annie Ilonzeh), but just picks up with her killing spree and her life operating out of a skid row home base.
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But a deeply corrupt system lets them walk, and Riley goes rogue, disappearing for a few years to learn how to be a killer and return on the five-year anniversary of the incident to execute all who wronged her. Riley of course survives, barely, and awakes from a coma, gets a grief pixie haircut and immediately identifies the three men with the face tattoos who killed her husband and daughter.
It's almost disappointing that there's no shot of the melting peppermint ice cream next to her fallen family, but there are plenty of silly ones to come (like, say, a bloody handprint on a tombstone that the police use as an indication that she's been there). Why, you might ask, all the bloodshed, mayhem and stereotypes? Riley is just a regular middle class mom juggling a job and parental responsibilities in a sensible midi skirt and conservative sweater before she watches her husband and young daughter get gunned down by agents of powerful Latin drug boss at a public fair. 【Related】Film Review: Wahlberg and Berg's 'Mile 22' is a dizzying assault.
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